![]() ![]() ![]() Here's how you can enable or disable this option on Arri ALEXA LogC Clips: This is a great built-in option, but you probably don't want to combine it with the other plugin I explained above. On my MacBook Pro, which is fairly new, I was able to edit with these LUTs applied without a problem.Ī Special Note on Arri LogC Footage: FCP X has a great feature that can detect an Arri ALEXA LogC clip and automatically apply a basic Log to Rec709 LUT to it. Select the LUT you want to apply and you are good to go. Under the Video tab (on the upper left side) you should see "Apply LUT" listed under Effects.Ĭlick on the drop-down arrows next to 3D LUT and select from the list of available LUTs, which we saw in the previous step. Drag the effect on to your clip in the timeline to apply it. The LUT Utility plugin is located under Effect->LUT Utility. Now launch FCP X and bring in your log content. To import a LUT, just click the little plus icon at the bottom.Īs you can see, now I have imported the Blog LUT we just made in Resolve. Here you can see a list of available LUTs for you to use within FCP X. Once installed, here are the steps to using the plugin:įirst you have to open the LUT Utility under the Mac System Preferences panel. They have a free trial, which is worth checking out, but the full version is only $29. You can get the LUT Utility plugin from the Color Grading Central website. In FCP X there is a new plugin that I really like called LUT Utility, which allows you to import various LUTs into FCP X and apply them as effects. He produces plugins to accurately deal with Log footage from all the major cameras. If you are still on FCP 7, then my previous blog still applies be sure to check out the great plugins from Nick Shaw at Antler Post. I've finally switched myself, and it is worth it. I'm only going to cover FCP X this time, not Final Cut Pro 7. Now that I have the Blog LUT, I'll use it in the examples below. If you want to generate a LUT based on one applied to a clip, make sure you apply the LUT in the node graph, otherwise it won't export. Just right-click on the clip where you've done some grading work and select "Generate LUT." This will open a window where you can name the LUT you're exporting.įor this example I've applied an Arri LogC to 709 LUT to a clip (in the node graph), added some saturation, and then exported it as Blog LUT. You can also do this in the node graph, on any node, or even the whole track.įinally, you can export LUTs the same basic way. To do that you can simply right click on a clip and select a 1D or 3D LUT from the list. Once you have footage imported and on a timeline, you can start adding LUTs individually. To add a LUT to an individual clip, we have to go to the color grading section of Resolve. ![]() If you add any here, you'll have to hit the "Update List" button to get the LUT to appear in Resolve. Below that you have two buttons labelled "Update List" and "Install LUT." Clicking "Install LUT" will launch a Finder (or Explorer, in Windows) window where you can copy in LUTs. You can also apply a LUT to monitor output or to the built-in scopes. The top area allows you to apply LUTs to all clips in your project either on input (before the grade), or on output (after the grade). This menu allows you to do a number of things. In project settings, click on the "Lookup Tables" tab. Now go to your project settings by clicking on the gear icon in the lower left. Here are the steps to importing, applying, and exporting LUTs in Resolve 10:įirst start a new project and import some Log footage. The process for importing LUTs has been simplified a bit with the addition of a button in the preferences panel that jumps you to the LUTs folder. ![]() The LUTs generated by Resolve can be used in all the programs below. Let's start with Resolve 10 because not only can it apply LUTs, but it also generates them. Here is a break down of how to apply LUTs to Log footage (or any footage) in Final Cut Pro X, Adobe Premiere Pro CC, Avid Media Composer 7, and Resolve 10 DaVinci Resolve 10 Since I posted it, a lot has changed in the popular NLEs the tools used to apply Look Up Tables are now included in many of them, and they are generally better than ever. One of the most popular blog posts I've written was a guide to Applying LUTs to Log Footage in various NLEs. ![]()
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